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TÓTal zerOs for everybody, nobody and me
Köln: Edition Hundertmark, 1977.14 cards, one torn by the artist, 144 × 101 mm, set in a 3-part folder with 2 flaps, 152 x107 mm; Black & white offset print.
Edition of 150 signed copies.
Our copy is signed in pencil by the artist on the outside of the right-hand flap, which also bears the Impressum.
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On the back of each card, the words "Endre Tót from " TOTal zer0s 1977 " and the publisher's address.
With some parts of the bottom of the cards torn from the edition, Endre Tót has composed a unique book held together by a staple and annotated in red pen.
TOTal zer0s 1977
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Gladness Writing 1973 - 1976
Liège: Editions Yellow Now, 1977.
24 unnumbered pages, semi-rigid cover, stapled binding, 290 × 205 mm; Offset printing in black and white + 1 color (green) .
Cover illustrated with a photograph of the artist's portrait printed in black and white.
Number of copies published unknown.
Our copy is signed in blue ballpoint and bears Endre Tót's original stamp in red ink: "TÓTalJOY by TÓT".
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Our copy is signed in blue ballpoint pen and stamped in red ink with Endre Tót's original stamp: TÓTalJOY by TÓT
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DIRTY RAINS
Lund (Sweden): Edition Sellem
Archives of Experimental and Marginal Art, 1977.20 unnumbered pages, semi-rigid cover, stapled binding, 210 × 144 mm; black and white offset printing
Edition of 1000 copies.
Photograph: Endre Tót with Jean Sellem at the S:t Petri gallery in Lund in 1979.
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Book published on the occasion of Endre Tót's exhibition held at Galerie St Petri in Lund, Sweden, from November 15 to 25, 1979. See impressum in aglais:
Published on a non-profit basis at the occasion of Endre Tót's exhibition "Dirty Rains", held at Galerie S:t Petri, Lund, Sweden, November 15-25, 1979.
During the exhibition, on Saturday November 17th 1979, Endre Tót recorded his voice repeating the same sentence in English on an audio cassette. This recording was later published (see this section for a full description).
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I'm glad if I can say sentences one after the other.
Magnetic tape cassette, plastic case, 120 min.
Justified A.P* cassette
Side A: title in black pen ENDRE TÒT / GALERIE S:T PETRI / 17 XI 1979.
In an interview, Jean Sellem explained to us that this cassette, marked A.P., would have been the one used to record Endre Tót's performance. From this copy 10* other copies were made. They are all numbered and signed by the artist.
*This information was provided by Mr. and Mrs. Kelter, to whom we extend our warmest thanks.
I'm glad if I can say sentences -
On Saturday November 17, 1979, Endre Tót recorded his sound performance on audiocassette at Galerie S:T Petri, Lund, Sweden.
On side A, for 15 minutes, he repeats the phrase "I'm glad if I can say sentences one after the other"
On side B, he repeats every minute for 30 minutes the phrase " In one minute I will say something".
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TOTalJOYS
Berlin: Rainer Verlag Edition Berliner Künstlerprogramm des Deutschen Akademischen Austauschdienstes (DAAD), 197932 unnumbered pages, semi-rigid cover, glued square-back binding, 200 × 142 mm; black-and-white offset printing.
Edition of 600 copies, 100 numbered and signed
Photographs: Irén Kreuder, Herta*, Ben Vautier
*thisis Herta Paraschin
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The book is signed on the Impressum page, bottom right, by Endre Tót, but is not numbered.
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½ DOZEN BERLINER GLADNESS POSTCARDS (1973-1978)
Berlin: Edition Herta, 1979.
6 postcards, 105 × 148 mm, in a flap folder, 149 x 109 mm; printed in black-and-white offset.Printing: Druckwerkstätte Gottschalk
Photographs Julius Busch
500 copies, 100 of which are numbered and signed.
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All our cards are signed in blue pen.
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TEN DOCUMENTS (1973-80)
Amsterdam: Stempelplaats, 1980.
10 plates on card stock, 211 x 147 mm, contained in a three-flap folder, 211 x 151 mm; black-and-white offset printing only on the front of each plate.
Edition of 200 numbered copies, signed and hand-stamped in red ink by the artist.
Our copy is numbered in pencil 58/100 on the back of the 2nd flap of the folder.
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Notes
The flap folder and each plate bear the red ink imprint of artist Endre Tót's original stamp:
"documents make me glad - Tótaljoy" (in the center of the stamp, the artist's face)
One exception: the document addressed to Cosey Fanni Tutti, dated 18.12. 1975, bears the black ink imprint of the stamp "I am glad if I can stamp". Is this the original stamp imprint, or is it part of the original letter reproduced for the edition?